CURRICULUM VITAE Allucquére Rosanne Stone Department of Radio, TV and Film University of Texas at Austin CMA 6.118 Austin, TX 78712-1091 (512) 471-8489 Fax: (512) 471-4077 email: sandy@actlab.utexas.edu email: sandy@sandystone.com http://sandystone.com EDUCATION Ph.D 1993. History of Consciousness, University of California, Santa Cruz. Dissertation Chair: Donna Haraway. Title: "Presence." B.A. 1965. Liberal arts, Saint John's College at Annapolis. PRINCIPAL SCHOLARLY AND RESEARCH INTERESTS Convergent Media; Performance and the boundaries between theory and performance; Interface; Sound as installation art; Phenomenology of communication; Science and technology; Transgender; Body, sexuality, and representation; Film, video, and music production; Science fiction. ACADEMIC EXPERIENCE 1992- Associate Professor in Department of Radio-Television-Film, University of Texas at Austin Concurrently: Wolfgang Kohler Professor of New Media and Performance, The European Graduate School, Hamburg, Germany and Saas-Fee, Switzerland Senior Artist, The Banff Centre for the Arts, Banff, Alberta, Canada 1990-1992 Lecturer in Department of Communication, Department of Sociology, and Department of English, University of California--San Diego. Summer 1991 Visiting Lecturer, San Francisco Art Institute. Course: Social implications of Virtual Reality. Winter 1990-Spring 1991 Associate in Sociology, University of California--San Diego. Prior to winter 1990 Teaching Assistant, University of California--Santa Cruz (10 courses). Reader in Political Science, Politics Board, University of California--Santa Cruz. PROFESSIONAL EXPERIENCE Research Fellow in the Social Studies of Innovation, Tremont Institute, San Francisco, CA. (1987-1988) Consultant, Sundance Institute (1986) Engineering manager, Sequential Circuits, San Jose, CA. (1983-86) Producer and recording engineer, Monterey Symphony (1978-92) Director, Wizard of Aud [audio studio], Santa Cruz, CA (1978-1983) Technical Director, Olivia Records, (1974-1978) Recording Engineer and Mixer, Wally Heider Recording Studios [working with Crosby, Stills, Nash, and Young; Grateful Dead; Jefferson Airplane; Van Morrison; War; The Byrds, and others now approaching senility] (1970-1974) Independent computer systems consultant Recording Engineer and Mixer, Record Plant, Inc. [working with Jimi Hendrix, Johnny Winter, Todd Rundgren, and others now living or dead] (1967-1969) Single-cell retinal neurology, electrical and behaviorial audiometry, under NIH grants at Eye Research Foundation (1965-1967) Cinematographer, Chief Engineer, Sound Recordist, and Assistant Director, Fordel Films [New York] [worked on feature and educational skills films] (1961-1964) Chief Engineer and Mixer, National Tape Service, a subsidiary of Columbia Records (1958-1960) Digital research, Special Systems Exploratory Development group, Bell Telephone Laboratories (1955-57) Independent film production and music recording throughout RESIDENCIES 1998 (June-July). Senior Resident Faculty and Artist. Banff Centre for the Arts Interdisciplinary Residency in Interactivity Studies, Video and Film. Banff, Alberta. 1997 (June-July). Senior Resident Faculty and Artist. Banff Centre for the Arts Interdisciplinary Residency in Interactivity Studies, Video and Film. Banff, Alberta. 1995 (October). Resident and Faculty. Banff Centre for the Arts Interdisciplinary Thematic Residency in Interactivity Studies, Video and Film. Banff, Alberta. AWARDS History of Consciousness Research Grant, 1990. Ford Foundation Stipend, 1989. History of Consciousness Research Grant, 1989. History of Consciousness Research Grant, 1988. PUBLICATIONS Book 1995. The War of Desire and Technology at the Close of the Mechanical Age. Cambridge: MIT Press. (Fourth reprinting 1999) 1997. Swedish translation. Norstedts Publishers Ltd. 1996. Japanese translation. Shinyosha Ltd. Publishers. 1996. Italian translation. G. Feltrinelli Editore, Ltd. 1997. Chinese (mainland) translation. Chapters and Preface in Books and Catalogues 1997. Overhearing Our Own Voices. In Klaus Peter Dencker (ed.), Labile Ordnungen. Norway: Ute Hagel, 1997. Pp. 256-61. 1996. Welcome to the Present. Preface to Timothy Druckrey (ed.), Electronic Culture: Technology and Visual Representation. New York: Aperture. Pp.6-10. 1996. Cyberdammerung at Wellspring Systems. In Mary Ann Moser with Douglas MacLeod (eds.), Immersed in Technology: Art and Virtual Environments. Cambridge: MIT Press. Pp. 103-17. 1996. Speaking Of The Medium: Marshall McLuhan Interviews Allucquere Rosanne Stone. In Duncan McCorquodale (ed.), Orlan: This Is My Body, This Is My Software. London: Black Dog, Ltd. Pp. 42-51. 1996. Der Blick des Vampires: Unter den Untoten am Beginn des virtuellen Zeitalers. Trans. Gender et alia. In Marie-Louise Angerer (ed.), The Body of Gender: Korper/ Geschkchter/Identitaten. Berlin: Passagen. Pp. 187-202. 1995. Neural Games: Remapping the Locus of Desire. In Louise Dompierre (chief curator), Press/Enter: Between Seduction and Disbelief. Toronto: The Power Plant‹Contemporary Art Gallery at Harbourfront Centre. Pp. 131-43. 1995. Innocence and Awakening: Cyberdammerung at the Ashibe Research Lab. In George Marcus (ed.),Technoscientific imaginaries: Conversations, Profiles and Memoirs, Vol. II of Late Editions: Cultural Studies for the End of the Century. Chicago: Uni versity of Chicago Press. Pp. 177-95. 1995. Identity in Oshkosh. [Shorter version of Violation and Virtuality}. In Judith Halberstam and Ira Livingston (eds.), Posthuman Bodies. Bloomington, IN: Indiana University Press. Pp. 23-37. 1993 . Violation and Virtuality: Two cases of physical and psychological boundary transgression and their implications. Norwegian translation. Virtualitet og Krenkelser. In Terje Rasmussen (ed.), Kulturens Digitale. Oslo: Aventura Forlag A/S. 1995. Sex and Death Among the Disembodied: VR, Cyberspace, and the Nature of Academic Discourse. In Susan Leigh Star (ed.), Cultures of Computing. Cambridge, MA: Blackwell Sociological Review. Pp. 242-55. 1995. Nikhil Sinha and Allucquere Rosanne Stone. Computers and Communication. In John Downing, Ali Mohammadi, and Annabelle Sreberny-Mohammadi (eds.), Questioning the Media: A Critical Introduction, 2nd ed. Thousand Oaks, CA: SAGE Publications. Pp. 255-76. 1992. Virtual Systems. In Jonathan Crary and Sanford Kwinter (eds.), Zone 6: Incorporations, Vol. 6 of "Fragments for a History of the Human Body." New York: Urzone (MIT). Pp. 609-21. 1992. The Architecture of Elsewhere. In Hrazstan Zeitlian (ed.), Semiotext(e) Architecture. New York: Semiotext(e). 8pp. 1991. "Will The Real Body Please Stand Up?: Boundary Stories About Virtual Cultures." In Michael Benedikt (ed.), Cyberspace: First Steps. Cambridge: MIT Press. Pp. 81-118. 1996. German translation by Florian Rotzer. Werde de werkliche Korper bitte ehreben? Kunstforum, 133: 68-83. 1994. Japanese translation. In M. Benedikt (ed.), Cyberspace. Toyo. Pp. 84-120. Conference Proceedings 1994. "What Vampires Know: Transsubjection and Transgender in Cyberspace," presented at Kunstlerhaus Graz, October 1993. Simultaneous German translation: "Was Vampire wissen: Von transitiven Subjekten und Geschlechtern in virtuellen Welten." In Eva U rsprung (ed.), In Control: Mensch-Interface-Maschine. Graz: Kunstverein W.A.S. Pp. 39-60. 1987. Gene Moriarty and Allucquere Stone. "Praxiology in Engineering Design." Proceedings of the 1987 IEEE International Conference on Systems, Man, and Cybernetics, Vol. I. IEEE. Pp. 193-97. 1990. Published in Polish by the Polish Praxiological Society. 1987. Gene Moriarty and Allucquere Stone. "Q-Analysis: Toward a General Theory of Design". Proceedings of the 1987 IEEE International Conference on Systems, Man, and Cybernetics, vol. I. IEEE. Pp. 188-92. Articles Forthcoming. Personal Sensual Experience II. Geo. 1994. Invaginal Imaginal: How to Fill (Or Surround) Virtual Space. In Lillian Lenox (ed.), Lusitania 6 (special issue: Vulvamorphia). Simultaneous French translation, "Imaginaire Invaginal: comment remplier (ou entourer) l'espace virtuel": 7-12. 1994. Split Subjects, Not Atoms; or, How I Fell In Love With My Prosthesis. In Roddey Reid (ed.), Configurations 2, 1 (special issue: Located Knowledges): 173-90. 1994. Rpt. as Sex, Death, and Architecture. Architecture New York (ANY), issue devoted to the Guggenheim/ANY colloquium "Electrotecture". 1994. The Empire Strikes Back: A Posttranssexual Manifesto. Third edition, revised and updated with afterword. In D. Gabriel (ed.), TransSisters: A Journal of Transsexual Feminism 1993. The Empire Strikes Back: A Posttranssexual Manifesto. Second edition, revised and updated with afterword. Camera Obscura 26: 151-76. 1991. "The Empire Strikes Back: A Posttranssexual Manifesto". In Julia Epstein and Kristina Straub (eds), Body Guards: The Cultural Politics of Gender Ambiguity. New York: Routledge. Pp. 280-304. Forthcoming. Rpt. in Lisa Cartwright, Constance Penley, and Paul Trechler (eds.), The Visible Woman. New York: New York University Press. 1978. "Recording Technology: A Woman's Perspective." Mix: The Magazine of Recording Technology (April). Interviews 1997. "It's the End of the Word! A Conversation with Sandy Stone on Language, Identity, and Desire" by Brita Brenna and Ingunn Moser. ARR: Idehistorisk Tidsskfrit, nos. 1 & 2: 72-81. 1996. Sandy Stone interviewed by Lynn Hershman Leeson. In Lynn Hershman Leeson (ed.), Clicking In: Hot Links to a Digital Culture. Seattle. Bay Press. Pp. 105-15. 1996. Sex and Death among the Cyborgs by Susan Stryker. Wired (May): 14-17. 1996. Liquid Identity [on Allucquere Rosanne Stone] by Frances Dyson. 21-C 1: 69-72. 1995. Interview With the Transsexual Vampire: Sandy Stone's Dark Gift by Davina Anne Gabriel. TransSisters: The Journal of Transsexual Feminism 8: 14-27. 1995. How Like a Goddess by Thyrza Goodeve. Artforum (September): 117-121, 125. 1995. Sandy Stone‹I virtuella vatten by Ingamaj Beck. Kulturraudet: 22-26. 1994. X+Y-knots SideyardBungalow [an interview with Allucquere Rosanne Stone (edited by A.R. Stone)] with Steven Fong and Suzan Selcuk. Assemblage: A Critical Journal of Architecture and Design Culture. Cambridge, MA: MIT Press and the Wexner Center for the Arts. Pp. 68-75. 1993. Bait and Switch with Sandy Stone by Jon Lebkowsky, Paco Xander Nathan, and Dave Demaris., Mondo 2000, no. 11: 53-58. Fiction: Short Stories 1972. "The Langley Circuit." Galaxy [New York), May. 1972. "Farewell to the Artifacts." Galaxy [New York], July. 1971. "Thank God You're Alive." The Magazine of Fantasy and Science Fiction [New York], October. INSTALLATIONS 2000. Austin. Cinematexas Festival. Installation, ³PGP: The Public Genitals Project², archived online at http://www.actlab.utexas.edu/pgp PERFORMANCE EVENTS 1998. Banff Centre for the Arts. ³Cyberdaemmerung: A Group Performance Event², for which I wrote the script, composed and mixed the music, directed, and performed as part of the group. CREATIVE AND SCHOLARLY PRESENTATIONS Performances, Invited Lectures and Conference Papers 2000. Linz. Ars Electronica. ³Next Sex: Sex in the Age of its Procreative Superfluousness³. Plenary address and untitled performance, documented online at http://www.aec.at 2000. Hong Kong. Aventis Triangle Forum, Center for Applied Policy Research: ³Decision Makers 2010: Innovation and Social Stability². Plenary address, ³The Future of Change². 2000. Rotterdam. V2. Wiretap 6.09: Reproductive Technologies. ³ART Marks: Procreation in an Age of Technological Reproduction². Performance, ³Drive-By Theory 4². 2000. New York. Tisch School for the Arts, American Photography Institute National Graduate Seminar. Presentation, ³Storytelling and the Uses of Vision². 1999. Amsterdam. ISOC Conference on Reflecting the Internet. Plenary address, discussion. 1999. Camden, Maine. Pop!Tech: Popular Culture in the Digital Age. Performance, ³Drive-By Theory 6². 1999. Los Angeles. Interactive Frictions: Performing Interactive Pleasures. Featured Presentation, discussion. 1999. Winnipeg. St. Norberts Art and Cultural Centre. The Multiple and Mutable Subject. Performance, ³Drive-By Theory 4². 1999. College Station, Texas A&M. Performance, ³Drive-By Theory 4². 1999. Riverside. Unnatural Acts. Presentation, ³The Empire Strikes Back². 1999. Saas-Fee. European Graduate School. Performance, ³How I Fell in Love With My Prosthesis². 1999. New York. Tisch School for the Arts, American Photography Institute National Graduate Seminar. Presentation, ³Sex, Death and Photography². 1998. Banff. Banff Centre for the Arts. ³Out of the Box: New Approaches to Narrative Interaction². Performance: ³Liquid Identity². 1998. Banff. Banff Centre for the Arts. ³Apocalypso², a conference addressing apocalypse narratives. Performance, ³Cyberdammerung: a Group Performance Event². 1998. Banff. Banff Centre for the Arts. Performance, ³Remapping the Locus of Desire². 1998. New York. Tisch School for the Arts, American Photography Institute National Graduate Seminar. Presentation, ³How I Fell in Love With My Prosthesis: A Condensed Version². 1997. Lucerne. Liquid Visions: 2nd International Symposium on Science, Technology and Aesthetics. Theoryperformance, media conferences, discussion. 1997. Bonn. The Sense of the Senses/Der Sinn Der Sinne: conference and installation. Theoryperformance, media interviews, discussion. 1997. Los Angeles. Department of Cinema and Television, University of Southern California. Invited lecture. 1997. Norman, Oklahoma. Department of Psychology, University of Oklahoma. Distinguished Lecturers Series in Technology, Information, and People. Lecture and discussion. 1997. Buffalo, NY. State University of New York at Buffalo, the Albright-Knox Gallery and the Castellani Art Museum of Niagara University. Invited Lecturers Series. Lecture, semi-performance, discussion. 1997. Munich. Marstall/Bayerische Staatschauspiel. Theoryperformance, media interviews, discussion. 1997. Lisbon. The Ministry of Culture of Portugal. Sagres: A Symposium on Portugal and The World-Wide Web, followed by Sacra Saturni: Ritual and the New Navigation. Theoryperformance, panel discussion, roundtable, workshop resource participant, techn ical advisor, media interviews, booksigning. 1997. Dresden. Deutsches Hygiene-Museum and Expo 2000. Humankind - The Human Being, an exploratory symposium for the Hannover Expo 2000 theme park Humankind-Nature-Technology. Theoryperformance, roundtable discussion, media interviews. 1997. Los Angeles. The Getty Center for Research in the Arts. Theoryperformance, discussion, booksigning. 1997. Bonn. Sixth International IFIP Conference on Women, Work and Computeriza-tion: Spinning a Web From Past to Future. Under the auspices of IFIP Working Group 9.1 (Computers and Work) and the Women's Work and Informatics SIG of the Gesellschaft fue r Informatik, and the German National Research Center for Information Technology. Opening and Keynote Address. 1997. Washington, DC. The Women's Museum presents Women And Media: Rethinking the Millennium. Keynote lecture. 1997. Oslo. ITC/University of Oslo Center for Technology and Culture. Resident Scholar. Seminars, lectures, writing, workshops. 1997. Banff, Alberta. Summer Summit: Strategizing the Future of Banff. An invitation-only conference to set directions for the future of programs for the arts and technology in Canada. 1997. Banff, Alberta. Intensive Workshop Series in Interactive Cinema. Invited Resident Faculty, Invited Resident Artist and resource person. 1996. Melbourne. The Royal Melbourne College, Department of Architecture and Design, Design Winter Intensive Workshop in Virtual Tourism. Theoryperformance, resource person, discussant, booksigning. 1996. Melbourne. Women and Medicine. Lecture, discussion. 1996. Princeton, NJ. Princeton University Program in Women's Studies Invited Lectureship. Theoryperformance, discussion. 1996. Syracuse, NY. Syracuse University Committee on Women and Art, Invited Lecture in the series Matrilineage. Theoryperformance, discussion. 1996. Oslo. The University of Oslo Center for Art and Technology and the Henie Onstadt Cultural Center. Digital Cultures. Theoryperformance, panel discussion, media appearances, booksigning. 1996. Windsor, Ontario. The University of Windsor College of the Arts and the Art Gallery of Windsor: Technology Cheated My Image: An Interdisciplinary Symposium on Art and Technology. Theoryperformance, discussion, media interviews. 1996. Austin, Texas. Departments of Anthropology and RTF, University of Texas at Austin. Conference on Theorizing the Hybrid. Lecture, discussion. 1996. Toronto, Ontario. The University of Toronto School of Graduate Studies Massey College Symposium, The Internet: Web or Cocoon? Theoryperformance, discussion, media events. 1996. New York. New School for Social Research: Life, Sex and Death in the Digital World. Lecture, discussion. 1996. Sydney. College of Fine Arts, University of South Wales. Digital Aesthetics - One: The Relationships Between Aesthetics and Emerging Digital Technologies. Lecture, performance, roundtable discussion, media events. 1996. Queensland. Griffith University, Queensland College of Art, Guest Lecture Program. Lecture. 1996. Austin, Texas. Department of Fine Arts, University of Texas at Austin. Performance Art: Danger/Hazing/Female Trauma/The Brain. Speaker, panel discussion. 1996. New York. CUNY conference. 1996. Goteborg. Schools of Fine and Applied Arts at Goteborg University and the Rohss Museum of Applied Arts; The School of Design and Crafts, the School of Photography, and Valand School of Fine Arts. Space, Room, Place, and House: A Series of Lectur es. Theoryperformance, discussion, media appearances, booksigning. 1996. Linz. Ars Electronica. Memesis: The Future of Evolution. Annual conference on art and technology. Dedication of new Ars Electronica Building and the Museum of the Future. Theoryperformance, media appearances, roundtable discussion, discussant for the panel Robotics. 1996. Rotterdam. The Seventh International Symposium on Electronic Art (ISEA96). Theoryperformance, consultation on future directions for the conference, panel. 1996. New York. The Italian Academy for Advanced Studies, Columbia University; Hofstra Cultural Center, Hofstra University; Southern California Institute of Architecture; Cooper-Hewitt, National Design Museum, Smithsonian Institution. (In)visible Cities: From The Postmodern Metropolis To The Cities Of The Future: A Conference on Urbanity at the End of the Millennium.. Theoryperformance, discussion, booksigning. 1996. Primm (Las Vegas), NV. Chance: Three Days In The Desert With Jean Baudrillard and Allucquere Rosanne Stone. Theoryperformance, media conferences. 1996. San Francisco. Annual Conference of the American Association of Anthropology. Anthropology and the Continuing Salience of Experimental Ethnography. Theoryperformance, panel discussion. 1996. Lucerne. VIPER: An International Festival of Art and Cinema. Theoryperformance, discussion, panel participation, media interviews. 1995. San Diego. "Interactive Technology and Self-Presentation." At Technology and Informatics: Interactive Technology and the New Paradigm for Healthcare: Medicine Meets Virtual Reality. 1995. San Antonio, TX. "BodySpace." Annual Conference of the College Art Association. 1995. Toronto. "The Vampire's Kiss: A Theoryperformance". Public Access, the New Media Coalition. Theoryperformance. 1995. Atlanta. "The Vampire's Kiss: A Theoryperformance". Women's Caucus of the American Society for Photography and Education. Theoryperformance. 1995. New York. "Invaginal Imaginal in RL: How the Body Survives". Lusitania; DIA Center for the Arts. 1995. Cambridge, MA. "Interactivity, Transgender, and the Coming Paradigm in Science Studies." MIT program in Science, Technology, and Society (April). 1995. San Francisco. "The Vampire's Kiss: A Theoryperformance". Yerba Buena Center, Women and the Media. Theoryperformance. 1995. Toronto. "The Vampire's Kiss: A Theoryperformance," Press/Enter, The Power Plant, Harbourfront Complex. 1995. Palo Alto. "Eyes of the Vampire: Alternative Ways of Seeing." Interval Research Colloquium on Virtual Communities. 1995. Philadelphia. "The Vampire's Kiss: A Theoryperformance". International Association for Philosophy and Literature. Theoryperformance. 1995. Munich. "The Vampire's Kiss: A Theoryperformance". Dance 95, an annual international conference on movement and dance. Theoryperformance. 1995. San Diego. "I Have Bad History, and Worse Memory." Panel on Representations of Gender, Modern Language Association. 1995. Gothenburg. "The Vampire's Kiss: A Theoryperformance". Tidsvag Noll, international symposium and exhibition on art and technology. Theoryperformance. 1995. Stockholm. "The Vampire's Kiss: A Theoryperformance". Performance series in media arts, Kulturhuset. Theoryperformance. 1995. New York. "Vision, Image, and the Naturalization of Desire". New York University Tisch School of the Arts American Photography Institute workshop in contemporary photography. 1995. Melbourne. "The Vampire's Kiss: A Theoryperformance". Royal Melbourne Institute of Technology Summer Design Workshop. 1995. Melbourne. "Neural Play." University of Melbourne Sexuality and Medicine Conference. 1995. Sydney. "The Vampire's Kiss: A Theoryperformance". The Biennale of Sydney: International Exhibition of Contemporary Art. Theoryperformance. 1995. Sydney. "The Vampire's Kiss: A Theoryperformance". Power Plant Museum, Sydney Biennale Arts and Technology Linked Program. Theoryperformance. 1995. Banff. "The Vampire's Kiss: A Theoryperformance," Banff Centre for the Arts Interdisciplinary Thematic Residency in Technology and Art: Telling Stories, Telling Tales: Narrative and New Media. Theoryperformance. 1995. Hamburg. "The Vampire's Kiss: A Theoryperformance". The Hamburg Ministry of Culture and Studio Andreas Heller. Interface 3: Labile Orders: Network, Artwork, Juxtapositions. Theoryperformance. 1995. London. "The Vampire's Kiss: A Theoryperformance." Architectural Association School of Architecture. Invited address. 1995. London. "Move Over, David Letterman, Make Room For Monsters." ICA. Keynote address. 1995. Cambridge, MA. "The Vampire's Kiss: A Theoryperformance". MIT Program in Science, Technology and Society Lecture Series. (Not the same as the MIT STS presentation in April.) 1995. Tuebingen. "The Vampire's Kiss: A Theoryperformance". Eberhard-Karls-Universitat Tubingen. Leibhaftig Korperlos: New Feminist Approaches to Cultural/Gender Studies. Institute for Cultural Studies and Molecular Biology (sic). 1995. Stockholm. Freakwave Transmuter. Cybermusic video with Dom Dummaste; XTV (Swedish MTV). 1994. Linz. "Virtuality, Otherness, and the Feminine." Andere Korper/Different Bodies, Offenes Kulturhaus. 1994. Adelaide. "Virtual Communities." Symposium Series in Technology, Gender, and the Media, Adelaide Festival of the Arts. 1994. Toronto. "On New Media and Imaginary Spaces." Department of Architecture, University of Toronto. 1994. Toronto. "Is This The Future of the Body?" Culture Lab Colloquium on Politics and New Media. 1994. Dallas. "Sex, Death and Virtual Reality: Coming Directions in Film." Dallas Film Festival. 1994. Ontario. "Media and Virtuality: Space and Absence." Departments of Architecture and Engineering, The University of Windsor. Invited lecture. 1994. Los Angeles. "Commuities in Cyberspace: Implications for Representation and Narrative." Getty Center for the History of Art. 1994. Santa Barbara. Department of Philosophy, University of California, Santa Barbara. Untitled invited address. 1994. Dayton, OH. "Life After Art," Wexner Center for the Arts, Ohio State University, Dayton. Address followed by moderated panel discussion. 1994. Banff. "The Vampire's Kiss: A Theoryperformance." 4Cyberconf: The Fourth International Conference on Cyberspace. Banff Centre for the Arts, Banff, Alberta. Theoryperformance. 1994. San Francisco. "The Performative Gesture and the Social Studies of Science and Technology." Departments of Anthropology and Sociology, Stanford University. 1994. Oslo. "Vampire Vision and Virtual Communities." VROslo 94, New Technologies Research, The University of Oslo. Keynote address. 1994. Manitoba. Department of English, University of Manitoba. Untitled invited address. 1994. Salzburg. "Virtual Communities; Touching the Future With Electronics." University of Salzburg. 1994. Rochester. "Desire and Virtual Worlds: Can Sex Survive?" University of Rochester. 1994. Atlanta. "Vision and Virtuality." Panel on Virtual Community, American Anthropological Association annual conference. 1994. Helsinki. "Cyberspace Communities: Sex, Death, and How I Fell In Love With My Prosthesis." Interdisciplinary Symposium on Electronic Arts (ISEA). 1993. Stockholm. "Technology and the Future of Communications Media." Stockholm Film Festival. 1993. Melbourne. University of Melbourne and Harvard University, Sex, Gender and Power in Science and Technology. Lecture, panel, discussion. 1993. New York. Guggenheim Foundation Panel on Electrotecture, co-sponsored by Architecture New York (ANY), moderated by Mark Taylor, presented at DIA. 1993. Winsor. University of Windsor conference Body and Technology, organized by Sylvia Belanger. Invited speaker. 1993. Dallas. Dallas Film Festival, Dallas Museum of Art. Invited speaker. 1993. San Francisco. American Anthropological Association annual conference. Panel on Cyborg Anthropology II: Technology and Embodiment. 1992. San Francisco. "Split Subjects, Not Atoms; or How I Fell In Love With My Prosthesis." Panel on Virtual Communities, Conference of the American Anthropological Association. 1991. Chicago. "Will The Real Body Please Stand Up?: Boundary Stories About Virtual Cultures." Panel on Problematics of Personhood at the Margin of Life," Conference of the American Anthropological Association. 1990. Phoenix. "I Speak The Body Electronic: Virtual Culture, Machine Ethnography, and Boundary Stories in Science and Fiction." Contact VII: Cultures of the Imagination. 1990. Irvine, CA. "Sex and Death Among the Disembodied." Fifteenth annual conference of the International Association for Philosophy and Literature, Bodies: Image, Writing, Technology. 1990. San Jose, CA. "Aliens, Freaks, Monsters: The Politics of Virtual alter-Sexuality." CGDC Computer Game Developers Conference. 1989. El Cajon, CA. "Sex And Death Among The Cyborgs: How to Construct Gender and Boundary in Information Systems". Fourteenth annual conference of the Society for the Social Studies of Science. 1989. Santa Cruz. "The Empire Strikes Back: Representations of Cross-Gender in Personal, Clinical, and Theoretical Discourse." Twice-Told Tales: Revisioning Historical Identities. 1989. Phoenix. "How Robots Became Desirable: A Cautionary Tale." Contact VI: Cultures of the Imagination. 1989. San Francisco. "More Real Than Life Its ownself: Interactive Simulation, Cinematic Space, and Narrative Seduction." Technology and Art in a Virtual Society. 1988. Santa Cruz. "'So That's What Those Two Robots Were Doing In The Park...I Thought They Were Repairing Each Other!'‹The Discourse of Gender, Pornography, and Artificial Intelligence." Conference of the Feminist Studies Focused Research Activity. 1987. With Gene Moriarty, "A Praxiological Description of Engineering Design Theory." IEEE International Conference on Systems, Man, and Cybernetics. 1987. With Gene Moriarty, "Q-Analysis: Toward a General Theory of Design". IEEE International Conference on Systems, Man, and Cybernetics. Discussant and Panel Member 1992. Cyborg Embodiments, American Association of Anthropology annual conference. Discussant. 1991. San Francisco. Implications and Applications of the Expansion of Technology in Contemporary Art, San Francisco Art Institute. Panel Member. 1991 (November). Tokyo. HUCOMM International symposium on The Future of Human Communication, sponsored by Fuji-eight Corp. Panel Member. 1991 (December). Nice. International symposium on arts and science. Panel Member. 1991. Problematics of Personhood at the Margins of Life, American Anthropological Association. Panel member. 1990 (April). "Staging the Virtual Body: Intersections of Psychoanalysis and Phenomenology." International Association for Philosophy and Literature. Panel member. TEACHING Recent Courses Taught Seminar: Theory and Methods of an Unnameable Discourse Seminar: Gender and Sexuality Postmodern Gothic: Gender, Media, Technology Computer Choreography and Animation (with Yacov Sharir) Theory of Interactivity The Challenge of Interactive Multimedia. Interface, Interaction and Culture Advanced Production for Film and Video Introduction to Film and Video Production Special Topics in Communications Studies: The Challenge of Cyberspace. Sociology of Visual Knowledge. Images of Women in the Media. Sociology of Film. Sociology of Sex Stratification. Sociology of Popular Culture. Sociology of Sex and Gender Roles. PROFESSIONAL SERVICE International and National Professional Service Member, Editorial Board. Postmodern Culture. Member, Editorial Board. Electronic Journal of Virtual Culture. Reviewer for Plenum Publishing, ArtForum International, MIT Press 1997. Director and Program Committee, Sixth International Conference on Cyberspace, Oslo, Norway. 1996. Director and Program Committee, Fifth International Conference on Cyberspace, Madrid, Spain. 1995. Selection Committee member in Film and Video. Rockefeller Foundation. 1995. Selection Committee member in Film and Video. MacArthur Foundation Media Fellowships (U.S. and Latin America). 1994 . Program Committee, Fourth International Conference on Cyberspace, Banff, Canada. 1993. Co-chair, with Michael Benedikt, Third International Conference on Cyberspace, Austin, Texas. 1991. Program Chair, Second International Conference on Cyberspace, Santa Cruz, CA. 1990. Chair and convenor, panel on Virtual Realities. Contact VII: Cultures of the Imagination Conference. Director, Group for the Study of Virtual Systems, Center for Cultural Studies, University of California, Santa Cruz. 1989. Chair and convenor, panel on Power, Ideology, and Information Science. Fourteenth annual conference of the Society for the Social Studies of Science. University and College Service Lecture, "A Brief History of Cyberspace," Department of Cognitive Science, University of Texas at Austin (1995). Member. Ad Hoc Committee on Technology and Space, 1993-1994. Guest lecture. "Virtual Communities." Department of American Studies, University of Texas at Austin, 23 October 1992. Guest lecturer in gender studies, History of Women in China, University of California, San Diego, April 1990 (Cahill). Guest lecturer in gender studies, Sociology, University of California, Santa Cruz, April 1989 (Shaw). Guest lecturer in gender studies, Monterey Peninsula College, May 1985 (Adams). Departmental Service Director, ACTLab. 1992-present. http://www.actlab.utexas.edu Create and develop a comprehensive, innovative, and interdisciplinary program of theory and practices in New Media, involving hands-on production of a wide range of New Media art and product. Supervise Teaching Assistants and tutors. Plan physical plant and infrastructure. Develop long-range plans for hardware and software development; for example: --$10,000 of high-technology network hardware and software by OnLive Technologies as part of this effort; --The successful Quest grant for a Macintosh computer from Apple; --The donation of a high-capacity graphics computer by another department. Coordinate research projects with other institutions and industries; for example: --The coordinated web project with the Banff Centre for the Arts; --Study-exchange program with Banff; --Cooperative virtual worlds research with OnLive Technologies; --Cooperative research in stimulating use of intranet infrastructures among the population of the city of Oslo, in cooperation with the University of Oslo, Centre for Technology and Culture, and the City of Oslo; --Developing innovative methods of web presence and "virtual tourism" in cooperation with the Ministry of Culture of Portugal; --Presentation of the first live online cyberopera in cooperation with the UT Dept. of English, College of Fine Arts, Dept of Computer Science, Apple Computer, and the Nigel Who? Couturiers; --The interdisciplinary projects in virtual reality, cyberspace and dance with the College of Fine Arts; --The Zapatista Web (ZapNet), in cooperation with EZLN; --Cooperative work with the McLuhan Centre for Culture and Technology; --Cooperative work with Purple Moon Software on the development of interactive software for girls). Lead development of an internationally recognized Web presence and cutting-edge research program in virtual community construction and sociocultural studies of emergent communities. Supervise day-to-day equipment purchase and maintenance, software purchase and upgrades, and development of future technologies. Member, Graduate Studies Committee, 1992-present. Member, Advisory Committee on Undergraduate Studies, 1994-present. Member, Gender and Sexuality Temporary Hire Committee, 1996-present. Member, New Media Curriculum Committee, 1996-present. Member, Gender and Sexualities Area, 1994-present. Member, Critical and Cultural Studies Area, 1995-present. Member, Production Area, 1992-1995. Member, MFA Committee, 1994-1995. 1997. Austin. SXSW. Talk, panel, discussion. Support for the ACTLab exhibition booth. Liaison. PROFESSIONAL ORGANIZATIONS American Anthropological Association International Association for Philosophy and Literature Society for the Social Studies of Science Society for the History of Technology American Sociological Association Modern Language Association Institute for Interactive Computer Science Virtual Reality Association of Students and Professionals Former member, Audio Engineering Society Former member, American Rocket Society