Cultural Theory as Cottage Industry

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Allucquere Rosanne (Sandy) Stone
Department of Radio/TV/Film
The University of Texas at Austin
CMA 6.118 Austin, TX 78712-1091
512.471.4071

 

 

 

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General Interest

Short General Interest Bio

 

Allucquére Rosanne (Sandy) Stone is Associate Professor and Founding Director of the Advanced Communication Technologies Laboratory (ACTLab) and the Convergent Media program of the department of Radio-TV-Film at the University of Texas at Austin; Senior Artist at the Banff Centre for the Arts; and Fellow of the Humanities Research Institute, University of California, Irvine. She has been a visiting lecturer in the departments of Communication and Sociology at the University of California San Diego, where she taught film, linguistics, gender, cultural studies, and feminist theory. She has conducted research on the neurological basis of vision and hearing for National Institutes of Health; was a member of the Bell Telephone Laboratories Special Systems Exploratory Development Group; has been a consultant, computer programmer, technical writer and engineering manager in Silicon Valley; and worked with Jimi Hendrix in music recording. She was invited to Sundance Institute in 1986. She produces the Monterey Symphony radio broadcast series. She is director of the Group for the Study of Virtual Systems at the Center for Cultural Studies, UC Santa Cruz, was program chair and organizer for the 1991 Second International Conference on Cyberspace, member of the program committee for the Third International Conference on Cyberspace in 1993, and director of the subsequent Conferences on Cyberspace up to and including the present ones. Her academic publications include "Will The Real Body Please Stand Up?: Boundary Stories About Virtual Cultures", in Michael Benedikt, ed.: "Cyberspace: First Steps" (MIT Press); "Sex, Death, and Architecture", in Architecture- New York (ANY); "Virtual Systems", in Jonathan Crary and Sanford Kwinter, eds.: "ZONE 6: Incorporations" (MIT); "The Architecture of Elsewhere", in Hraszthan Zeitlian (ed.), "Semiotext(e) Architecture"; and "The Empire Strikes Back: A Posttranssexual Manifesto", in Kristina Straub and Julia Epstein, eds.: "Body Guards: The Cultural Politics of Sexual Ambiguity" (Routledge), recently reprinted in Camera Obscura 29 and in many other publications.. Her book "The War of Desire and Technology at the Close of the Mechanical Age" was published by MIT Press in September 1995 (hardcover) and September 1996 (paperback), and is currently available in English, Italian, Japanese, Swedish, and Chinese. Her work has appeared in such publications as Lusitania, ANY (Architecture New York), and Assemblage. Her experiments with theory as performance are well known, and she is currently touring a one-person "theoryperformance" on technology, body, and desire.

 

Allucquére Rosanne (Sandy) Stone is Associate Professor and Founding Director of the Advanced Communication Technologies Laboratory (ACTLab) and the Convergent Media program of the University of Texas at Austin; Senior Artist at the Banff Centre for the Arts; and Fellow of the Humanities Research Institute, University of California, Irvine. In various incarnations she has been a filmmaker, rock 'n roll music engineer, neurologist, social scientist, cultural theorist, and performer. She is the author of numerous publications including "The Empire Strikes Back: A Posttranssexual Manifesto" and "The War of Desire and Technology at the Close of the Mechanical Age", both of which are available in a wide selection of translated editions. She lives in Austin, Texas and Santa Cruz, California with her husband Cynbe ru Taren (aka Jeffrey Prothero) and their cat, /dev/cat.

 

 

Sandy Stone was born in a tiny village on the island of Q--. She now lives in S--, where she pays taxes and awaits death.

 

 

 

 

Allucquére Rosanne (Sandy) Stone is Associate Professor and Founding Director of the Advanced Communication Technologies Laboratory at UT Austin, Senior Artist at the Banff Centre for the Arts, and a Fellow of the Humanities Research Institute, UC Irvine. She has been a filmmaker, rock 'n roll music engineer, neurologist, social scientist, science fiction author, cultural theorist, and performer.

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